veteran film director Shinji Higuchi, and singer-actors – actor Tsuyoshi Kusanagi, Bullet explosion ext on Net a bullet exples on firing a bullet slife, bullet edplosion exting Higuchi has performed some of Japan’s biggest blockbusters, including attacks on Shin Godzilla, Shin Ultraman and Titan.
The explosion of the Bullet Train follows the “fresh train” (bullet train) bound by Tokyo, and soon becomes a bomb threat. Train bombs explode when the train slows down below 100 km/h, putting passengers and crew at risk. The film was a reboot of the original 1975 film The Bullet Train, which influenced Hollywood’s smash hit speed with Keanu Reeves, Dennis Hopper and Sandra Bullock.
“If we make a movie, we can do a lot,” says Hii’s deadline. “We are like God – we can control the lives of our characters and their destinies. We can let them die, we can bring them back to life. These characters may not actually exist, but we are responsible for making these decisions.”
These lines of Philosophical research come from a deep, personal place in Hiroshima, where we have experienced turbulent times among young people.
“I have a lot to think about how these people will survive and learn to survive in the film at the end of the day. Because when I was a teenager, I hated this world,” says Higuchi. “However, I was interested in living in advance as if I was looking into the future.
Maybe the situation is my worst point, but I thought how I would grow in a few years and that life could be better. “After high school, Higuchi worked in Japan’s post in collaboration with public services, but his calling was in a creative world.
When I saw the alumni and alumni, there was this diagram and there was no one in the creative business. Everyone went ahead and went to university. I have given up on these academic methods and decided to go to public services,” says Himura. I tested public services and felt that my future was not there.
That was the first time I had the question: “What do I want to do? The answer was basically going to the movies.”
As higuchi, Higuchi was strongly inspired by Ultraman and Godzilla creators Age Tsublaya and George Lucas and Steven Spielberg. “When I was in my 20s, I was pretty overwhelmed. American films from the 1970s still have a huge impact on me. ”
higuchi says he wanted to explode a bullet train for almost 20 years. For almost 20 years, there have been issues with higuchi’s former management agency. “After Tsuyoshi left his old agency management company, his old management team was so strong and had a huge impact on the entertainment industry that he was able to get him.
The twins rebelled against the boss of the entertainment business and the company did not leave in good condition.” There was a lot of freedom and good mood, Higuchi added. “The TV stations and the film industry were the film industry that had been in Japan forever, and Netflix was able to do what they couldn’t do.
Netflix has managed to jump over the great political games we had here in the entertainment business. We’re not an independent film, but since it was Netflix, we were able to throw it on this big budget movie. ”
Looking in the future, Higuchi wants to focus on making films based on the original script, but realizes that funding such projects is not easy compared to the IP adaptations that viewers already know well.
“It’s very challenging to make a film in Japan, not just fundraising and production companies, but also audiences who want something that soothes and something they know,” says Higuchi.
“I really want to make an original story, but to be honest, a lot of what I want to do is a high budget. I have to convince people who have money that this is worth the money and investment.
“I hope there is an environment and an ecosystem — or even this person will allow me to make this dream movie.
Higuchi points out that writers passing from the Japanese theatre scene often observe that they can withdraw investors’ money for large budget films.
“Authors who come from the theatre when they write the script really make the actor shine,” adds Higuchi. “If you ask you:” What is the story? “You always talk about characters instead of history. Characters are usually the main impressions of these films and snacks – that might be appealing.”